12 Years a Slave (2013) [Blu-ray]
Biography | Drama | History
Tagline: The extraordinary true story of Solomon Northup
From acclaimed director Steve McQueen comes this "deeply evocative and brilliantly acted" film (Claudia Puig, USA Today) based on the true story of Solomon Northup. It is 1841, and Northup (Chiwetel Ejiofor in a gripping performance), an accomplished,
free citizen of New York, is kidnapped and sold into slavery. Stripped of his identity and deprived of all dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps (Michael Fassbender) and must find the strength within to survive.
Filled with powerful performances by an astonishing cast that includes Benedict Cumberbatch, Brad Pitt and newcomer Lupita Nyong'o, 12 Years A Slave is both an unflinching account of slavery in American history and a celebration of the indomitable power
of hope.
Storyline: Based on an incredible true story of one man's fight for survival and freedom. In the pre-Civil War United States, Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is abducted and sold into
slavery. Facing cruelty (personified by a malevolent slave owner, portrayed by Michael Fassbender), as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey,
Solomon's chance meeting with a Canadian abolitionist (Brad Pitt) will forever alter his life. Written by Fox Searchlight
Reviewer's Note: Reviewed by Jeffrey Kauffman on February 25, 2014 -- There's a strain of thought that runs through the American body politic that since we are self-evidently "the greatest country on the earth", any perceived
"minor" peccadilloes from our nation's past are easily forgotten and/or forgiven. This somewhat odd tendency raises its head most obviously in the treatment of Native Americans and, of course, slavery. It's not hard to find pundits on television to this
day urging members of either ethnicity to more or less "get over it", move on with their lives and not dwell on long ago historical "anomalies". Putting aside George Santayana's famous maxim "those who cannot remember the past are condemned to repeat it"
for a moment, there seems to be a sometimes odd combination of jingoism and willful denial of history in some reactions to horrifying events like slavery. But is it also somehow related to the passage of time? Would anyone, even the most callous
suggesting that African Americans should not still be bringing up the horrors of slavery, ever think of telling a Holocaust survivor to "get over it"? Whatever the reason for this perhaps strange tendency, spending a bit over two hours with 12
Years a Slave should provide ample opportunity for most viewers to realize there's still a lot to learn about long ago historical tragedies—but perhaps not always in the way one might imagine.
While the disgusting practice of slavery is portrayed in all its disturbing dementia throughout the film, what's really remarkable about this true life tale is how it quietly, firmly but undeniably posits the resiliency of the human spirit against
almost insurmountable odds. The story of Solomon Northup, told by Northup himself, was a cause célèbre in the mid-19th century, a literary phenomenon perhaps second only to Uncle Tom's Cabin. The fact that Northup's harrowing story was true,
unlike that of Harriet Beecher Stowe, only gave more power to its gut wrenching tale of a free black man abducted and sold into slavery, spending the next dozen years enduring all sorts of degradation and trauma. Rather interestingly, despite its renown
at the time of its publication and for several years afterward, the book fell into obscurity and it wasn't until the mid-20th century that two scholars published an annotated version of it, at which point it started climbing once again into the general
public consciousness. Though few probably remember it, there was actually a prior screen adaptation of Northup's book, a 1984 PBS made for television film entitled Solomon Northup's Odyssey, directed by iconic photographer Gordon Parks and starring
future Star Trek: Deep Space Nine player Avery Brooks as Northup. That outing, much like the novel, fell into obscurity and for many 12 Years a Slave will be their introduction to one of the most amazing true life tales in the entire annals
of history.
Part of what makes 12 Years a Slave such a harrowing experience is the almost Kafka-esque sensibility it offers where a seemingly prosperous, well educated black man is suddenly kidnapped and thrust into a life of slavery over which he has
absolutely no control. As Director Steve McQueen states in one of the supplements on this Blu-ray, that very plot point creates an automatic identification with most audience members, as they, too, will be wondering how they, free people that they are,
would react if put in similar circumstances.
Solomon Northup (Chiwetel Ejiofor) is a dapper musician and carpenter living in upstate New York with his wife and two small children. His wife leaves once a year for a cooking job, and takes the kids with her. During her absence, Solomon is approached by
two men who have heard of his fiddle playing expertise, and they offer him a large sum of money to accompany them to Washington, D.C. to perform in a circus they manage. Though it's not really explicitly documented in the film, the two are actually part
of a ring that drugged free blacks and sold them into slavery. After a night of heavy drinking, Solomon finds himself in chains in a hovel on the outskirts of Washington, D.C. Almost before he knows what's happening (but after he's been beaten rather
savagely, letting him know his new lot in life), he's on a boat to the American south, where hope of escape is minimal.
Given the new name of Platt, Solomon passes through the hands of a mercenary middleman ironically named Freeman (Paul Giamatti), and becomes a firsthand witness to some of the horrors of slavery when a mother is torn from her screaming children and sold,
along with "Platt", to a plantation owner named William Ford (Benedict Cumberbatch). Ford turns out to be a relatively benign master, and he takes a shine to Platt when Platt reveals some of his engineering prowess and helps forge some barge traffic
through what had been assumed was impenetrable swampland. That only alienates the lizard like plantation hand Tibeats (Paul Dano), who becomes obsessed with proving he is Platt's superior. That ultimately leads to one of the most disturbing sequences in
the film, when Platt is nearly lynched, and is then left hanging by his tiptoes for an interminable amount of time while a foreman goes in search of Ford.
Ford realizes Platt is no longer safe with him, and perhaps against his better judgment, sells Platt to a martinet slave owner named Epps (Michael Fassbender). Epps is everything Ford was not—moody, vicious and somewhat delusional, feeling his behavior is
Biblically sanctioned. Epps has engaged in a longstanding relationship with slave Patsey (Lupita Nyong'o), which only creates incredible tension with Epps' wife (Sarah Paulson), who alternately insists Epps get rid of the girl (which he resfuses to do),
or resorts to attacking the helpless slave. Still, Platt somehow manages to survive, if just barely.
Years pass, and he thinks he has the chance to get a secret letter to his family in New York (the real life Solomon Northup evidently was able to get a letter to his family within a short time of being taken captive, but they had no idea where he
had been transported to as a slave and so were unable to find him). That turns into one of the most emotionally devastating scenes in the film, when Epps finds out and confronts Platt, forcing Platt to recant and play the "good slave". Soon salvation
appears, though, in a worker (played by Brad Pitt) hired by Epps who is a rare voice of reason in the almost unbelievably barbaric world of slavery that the South had come to think of as "normal".
12 Years a Slave is a completely unsettling experience, though its depiction of the resilience and ultimate triumph of the human spirit is incredibly uplifting. McQueen occasionally overplays his hand here, though, which is perhaps the only real
critique that can be offered this otherwise devastating experience. The character of Tibeats is almost cartoonishly villainous, something brought to bear in the early montage of a completely offensive song the character sings while a series of images of
slave labor plays out. The film also is a bit screed like in its insistence that Bible thumping Southerners repeatedly bent scripture to their own advantage, drumming into mostly illiterate slaves that God wanted them to be subservient. And as
viscerally compelling as Ejiofor is in the role, it's often a one note characterization, formed out of (understandably) pained expressions with occasional sidebars of despair or (surprisingly occasionally) rage. The film also perhaps goes to the "it would
be better to die than to live like this" well, a point which is made perfectly well early on in the film, but which is revisited later in the plotline built around Patsey.
But these are minor qualms in what is certainly one of the most shockingly brutal depictions of the horrid practice of slavery ever committed to film. Pundits may in fact try to convince blacks that they need to "get over" this supposedly long ago horror,
but few people of any race who watch 12 Years a Slave will be able to get over the impact of the film in any brief expanse of time, and perhaps not ever.
If you're like me, you'll spend most of 12 Years a Slave with an epic sized pit in your stomach. This is certainly one of the most distressing emotional experiences in recent memory, highlighted by an ironically beautiful production design and some
viscerally compelling performances. 12 Years a Slave has been on an awards juggernaut of late, and it will be interesting to see how it fares this weekend at the Academy Awards. In an awards season as competitive as this one has been, it's
certainly no sure bet that the film will walk away with anything, but there's absolutely no doubt this is one of the most important films of this or any year. The Blu-ray offers superb technical merits and some excellent supplements. Highly
recommended.
[CSW] -3.1- For those of us that have a pretty extensive knowledge of the brutality of slavery this movie was nothing new or unique. The only thing that is not generally known even to those of us with a fairly through understanding of slavery is how many
freemen were kidnaped locally, transported and sold into slavery. That is the basis for this film but because there are no accurate records even with the post log, this film could not come close to answering that question. Some of the dialogue suggested a
level of education that was not typical of that era for either race. It is a great film for those with no or limited knowledge of the true nature of slavery. For them it is a must see, but for the rest of us it was a good but not great movie. If you have
a good understanding of what slavery was truly like you could actually skip this film altogether.
[V4.5-A4.5] MPEG-4 AVC - No D-Box.
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